Anna sent me a link to this article in LA Weekly from food critic Jonathan Gold, about what he claims
is a rise in regional specialization among the Southern Indian restaurants in Artesia (a suburb of Los Angeles):
Gold, who won the Pulitzer Prize this year for criticism, made his mark enthusiastically opting to report on restaurants in ethnically distinct commun ities rather than the latest French Bistro in Beverly Hills.
During the dinner hour, Tirupathi Bhimas is as jammed as a Cheesecake Factory — it even has those buzzing paging devices that erupt into flashing lights when your table is ready — and you could probably cast a Bhangra video from the ranks of the chic Desi teenagers that seem to throng the place. Dosas come out the size of refracting telescopes. Thick, sweet lassi flows like water. The waiters are more sharply dressed than you.
The idea of an Indian restaurant as club-kid hangout is nothing new, and joints like Tanzore and Tantra certainly play up the sultriness of the Indian kitchen, but what is drawing the crowds at Tirupathi Bhimas is fairly orthodox Andhra Pradesh–style vegetarian cuisine, the heavy Southern Indian stuff, without a Bombay mojito or a chakratini in sight.
Anna was understandably put off, a bit suspicious of the reference to Bhangra videos- The restaurant being reviewed is south Indian, and has no reference to Punjab in northern India, where Bhangra originates. Maybe Gold used that reference as a sort of shorthand into his ‘clued-in’ status to all things Indian- whether it be Bollywood or Bhangra (One does have to resort to silly generalizations of this kind, I suppose, especially to justify the Pulitzer won.)
From the article, I could envision a fairly average South Indian vegetarian restaurant, rather spicier than the average American palate is accustomed to. The description of the dishes reads like stuff culled off the menu, which tend to be tedious exercises in marketing to American clients.
Wanting a more specific set of reviews from the locals of Indian origin, I searched for more links and found these:
More reviews of Tirupathi-Bhimas
Some of them weren’t very happy with the service, though the food is fairly authentic and at normal (which is to say, extremely hot) Andhra spice levels. It was evidently too hot for at least one reviewer, who is used to the dumbed down spice levels at some Indian eateries.
Another,rather better example of restaurant criticism came from this link (via Amardeep’s blog), though not void of the blanket exoticizing statements that characterizes Indian restaurant reviews
From a corner table of Angon on the Sixth, Mr. Ray scooped up gobs of daal, or lentil stew, with a piece of roti bread and pointed to the slender lamps hanging from the beams of the low ceiling. "These lamps are Ikea," he said between mouthfuls, "but meant to resemble terra cotta horse figurines." In India, he explained, horse sculptures are traditional offerings to the deities.
In Little India, a strip of about a dozen Indian restaurants on East Sixth Street between First and Second Avenues, Angon stands out for its lack of trinkets, flashing lights and live music. The low-key décor is meant to appeal to the non-Indian, somewhat upscale clientele that Begum Mina Azad, the owner and chef, has courted since the restaurant opened in 2004. So are the decorative robes that the waiters wear, traditional garb of Indian’s upper middle class, even though, Mr. Ray pointed out, such robes would be inappropriate for service in India.
When the fried fish and kichuri rice arrived, the plate was adorned with tomato slices. Tomatoes, which wouldn’t be found on a dish served in India, represent another bid for crossover appeal, a concession to Americans’ desire for color and vitamins. "Otherwise, it’s brown, yellow, brown, brown," Mr. Ray said. "Peasant food doesn’t stand up."
If he were to open a restaurant he said, "to upscale it, I would downgrade it — give them the authentic experience true cosmopolitan New Yorkers are ready for: seating on mats, no silverware."
Talking of ‘downgrading to upscale’- that is precisely what a 5-star hotel/restaurant chain in Chennai, India tried to do a few years ago. It resulted in quite a few incongruities:
The greasy, meaty kotthu parathas, banged out on a noisy, sizzling tava make their way towards us, borne aloft by a waiter in a mismatched lungi and loud floral shirt. On the table, a lamp flickers warily, as the hoots and drums of a flamboyant folk dance rent the air. This is an evening of street food served in the most rural of ambiences. Well, except for the perky little brochure on our table, which helpfully suggests a glass of Chardonnay, or perhaps some Moet Chandon, to go with the chilli bajjis.
And that is what happens when a five-star hotel decides to help its linen-and-diamond clad patrons to slum it. (But stylishly, of course.) At the Taj Connemara’s Thattukadai Food Festival, there are baskets piled high with jasmine chains, but they’re handed out by a impeccably clad hostess armed with little clips, so she can show the foreigners just how the `traditional Indian woman’ does her hair. There’s sugarcane juice, and a painstakingly done-up TASMAC wine shop. But, which wine shop owner worth his rum-and-fish would think of combining the juice with a shot of vodka? Or opening a tender coconut and adding vodka, for a deliciously bizarre cocktail. And there are mamis, crouched over pans of noisily frying bajjis — wearing long, hygienic gloves.
Weird downscale-to-upscale conversions aside, there’s no experience like actually eating at one of the genuine roadside eateries at a fraction of the cost of the bash described above. Despite the lack of hygiene, the food at those stalls can sometimes taste positively ambrosial in comparison with the carefully tailored offerings of a ‘5-star restaurant’.
At least, that’s what I can remember from my cast-iron stomach days, though it could be just nostalgia speaking. I loved the Paani puris from the roadside stalls near Marina Beach, and the fact that I was in a group of 10-15 whooping-it-up college kids definitely helped. One of the most delicious salads that I ever ate was prepared on the fly by a wizened lady in a filthy sari sitting by her basket of still-rimed-with-dirt vegetables on a train to Hyderabad.Or the best ‘naaranga vellam’ or lime juice came fresh squeezed with water from God-knows-where, a dash of salt and a teaspoon of sugar, available for 25 paise per glass ( around 6/10 of a cent at current exchange rates) from the tiny stall opposite my college entrance.
Anna agreed, with her version of mixed memories of roadside eating adventures:
Yes, I love street vendors, roadside stalls, etc., too, even if eating from them requires shutting off some nagging part of my brain. But then, with stalls and stands at which food is prepared, at least we have available in front of us all the information for a reasonable calculation of risk– who knows what really goes on in restaurant kitchens.
My stomach isn’t teflon, and I have had some bad cases of food poisoning that some would call predictable. My sister still shakes her head when recounting her efforts ministering to me, and explaining the mess in our room to hotel staff, after I ate a hand-moulded coconut and milk candy sitting out in the heat at a fly infested market, while on a visit to her when she lived in Mexico.
Though Ruchira did chime in with a cautionary note on ‘dirtier is not always tastier’:
I agree to an extent. I did have a cast iron stomach (with teflon coating) until quite recently. I could eat pretty much anything without untoward effects that had others groaning in agony. Some of the things that I ate from the roadside stalls of Delhi had my mother (who was very particular about hygiene) watching me anxiously for the onset of cholera. But those days are gone. During visits to India now I am often taken off guard by occasional nasty surprises – even when I have eaten only in fancy places. Last October my son and I ate some delicious lamb gyro outside NYC’s Union Station from a Lebanese street vendor. Everything was okay. Not even a suspicious burp!
As for dirt lending taste to cooking, I am sad to say that my local Sugarland Udipi restaurant is becoming increasingly filthy. But the food ain’t improving.
Speaking of nostalgia, Anna reminisced about her happy encounters with NY neighborhood restaurants, a microcosm of foodie heaven:
"One aspect of the article that’s interesting to me is that, as an ex-pat New Yorker whose family lives there, I have a particular, 1980s-1990s vintage association with each of those neighborhoods, which to some extent also explains the food:
6th street between 1st/2nd: What used to be a one block stretch of Indian restaurants, catering largely to a young, white population (college students like me and drunken hipsters) all trying to outdo each other in their array of flashing lights, but with totally indistinguishable food. I used to joke that I suspected that there was actually only one kitchen in back of the many storefronts. The neighborhood, like most of Manhattan, is now very upscale. I’m glad that the food has become more varied– no doubt there’s an increasing market for variety, both because of an increase in South Asian immigration, and the changing tastes of non-South Asian Americans. I wonder, though, if it would still be affordable to college students.
Union Square was gritty when I was a kid, and has been generic upscale/yuppy since the late 1990s, which might help explain who is supposed to eat masala schnitzel.
Lexington between about 25th and 27th was a stretch of South Asian restaurants where South Asian taxi drivers ate, and also to some extent South Asian and not South Asian personel associated with the nearby NYU Medical Center. Andrew used to live at 27th and Lex; in 1996, the apartment below him was busted for prostitution. It was a gritty neighborhood with a hospital. For that reason, the restaurants there were always both more authentic (or at least, what do I know, more interesting), tastier, and dirtier, than those on 6th street. Some of the restaurants did not have spoons (per Mr. Ray’s comment) back then. The neighborhood has unrecognizably gentrified since that time. Nice to know the restaurants survived– rising rents have driven out many of the neighborhood’s residents.
Queens and Brooklyn have always been the places to go for variety and dense, ethnic neighborhoods– often of minorities among minorities (e.g. Bukharan Jewish/Kosher)– in the same way that Southeastern suburbs like Norwalk and Artesia are in Los Angeles. My Uncle Ed would sometimes go on food adventures out the subway lines in Queens, stopping for a different kind of food at each stop (he’s a bit of a gourmand, my uncle). When I worked at the D.A.’s office in New York, a woman I worked with was a Guyanese Muslim
Indian immigrant, who lived in Jackson Heights, which was, she told me, the only place in the city where one could get good Guyanese Indian Halal cooking. She would bring in her own cooking and menus of places she liked.
Makes me both miss New York–certainly miss having a working subway
system– and hungry!
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For anyone interested in trying out S.Indian food, here’s a primer for anyone who is new to South Indian cuisine and would like to try the specialties at a local restaurant. Do check out the dosas (very thin crispy crepe made from a mixed rice-and-lentil batter-) usually with a variety of fillings, chutneys and sambar (spicy lentil soup) to dip the pieces in on the side.
Idlis ( steamed rice-lentil cakes) are nice, if properly done, but I usually dislike the restaurant versions here in the US, chiefly because they never have the melt-in-the-mouth quality that I’ve seen even in the lowliest roadside stall in Tamil Nadu. It’s all in the fermenting and the quality of lentils/rice used for the batter, and extremely hard to replicate.( I might succeed in 1 out of 10 tries for the perfect batter at home, and I suspect that extreme hygiene could be to blame. My mother complains that my hands are too cold to mix the batter and it never rises quite as well as opposed to my mother or sister mixing it.)
Vadas are like a fried lentil flour snack, similar in appearance to doughnuts, coming with coconut chutney and sambar on the side- these make a rather heavy appetizer course.
Thalis are full-fledged meal plates and are a good choice for a complete dinner or lunch in themselves. They usually include a large helping of rice, a small piece of flatbread (like chapattis), assorted vegetable curries ( usually steamed, seasoned with mustard and other spices, sometimes garnished with grated fresh coconut), sambar, extremely spicy pickle and a deep fried paapad. The sambar is typically poured and mixed with the rice and eaten with the curries as in ‘scoop of sambar rice and small helping of curry’.
11 responses to “Restaurant Critics, Roadside Stalls (Sujatha)”
Food writing almost always makes me want to barf and food photography almost always looks like the result. When I lived in LA, I would read Gold holding my nose. Same goes these days with the East Bay Express. (If I ever have to read the verb “slather” again…!) Anyway, David Rosengarten (who used to be a respectable food writer–his Dean and DeLuca Cookbook is marvelous) recently sent out a posting addressing the geography of Indian food, coincidentally.
I know the Artesia and Cerritos area outside LA pretty well, and we used to hit the hole-in-the-wall restaurants from time to time. My most amazing experience there, however, involved recorded music. I had been searching for Nikhil Banerjee’s double CD of live performances at De Kosmos in Amsterdam, having read a glowing review of it in Fanfare. After several years visiting Tower Records and more eclectic record joints, I found myself at a record store in Little India on Pioneer Blvd. I asked the woman behind the register about the recording, and she promptly got up, walked across the room, and produced the CD from what appeared to be a random assortment in the racks. That started my Banerjee collection, most of which I later obtained at the Bodhi Tree Bookstore on Melrose.
Oh, yeah, I just remembered another great music story (to me, at least) that occurred in Cerritos, at a decent vegetarian Indian restaurant. I was listening to the curious music piped in over the PA, and I stopped the proprietor as he walked by our table. “This sounds a lot like the kinds of work recorded by Kavi Alexander on his Water Lily Acoustics label,” I remarked.
The proprietor replied, “It’s the latest disk. Kavi was in yesterday and he gave me a copy.”
Wow. Alexander lives in Santa Barbara. I guess he knows where to go in California for good Indian cooking.
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About Rosengarten’s foodie writing, he uses ‘swoon’ to the same level as your pet peeve ‘slather’ , as in ‘swooningly fresh fish, touched up with vibrant spices, right off the grill. ‘ ;) Food photography, the less said the better- I’ve always had the suspicion if the food looked that good, it would be filled and plumped up with inedible fillers just to survive the photoshoot, any way.
Regarding the esoterics of Kavi Alexander’s recordings, here’s a few samples for the curious listener. Not my cup of tea, but the recordings are quite amazingly crystal clear as promised by Kavi in this interview.
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Yes, Sujatha, Rosengarten has lately gone purple. But I have the opposite response to much food photography: the blurred borders and skewed angles transform a crab cake garnished with frisée and a dollop of spicy dill mayonnaise into spit-up ramen or some such.
Funny that you should characterize Kavi’s recordings as “esoteric,” inasmuch as he has relied on Tim de Paravicini’s marvelous E.A.R. tube gear, including the microphones, to create his recordings. The E in E.A.R. stands for Esoteric, the remainder being Audio Research. I have admired Water Lily recordings for some time, and I even have a handful of his LPs, which of course far surpass the CDs in sonic brilliance. Hamza el Din’s recital, for example, is stunning. When he plays his hand drum, it’s “there,” as they say.
I failed to mention, by the way, that I’m also weary of high-end audio writing. Just so you know.
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High end any-writing is a sure recipe for boredom- I aspire to simpler stuff, whether about cooking or music. Unfortunately my sense of music isn’t equal to wincing at all the hisses and unseemly tones that could interfere with a purist’s enjoyment of any recording (I already have a built-in handicap of tinnitus to deal with). My husband will wince at some of the music I listen to without complaint- I look only for the melody, faithfulness to pitch or raga, while he hears all the other disturbances that would drive a sound engineer crazy.
As for frenzied food photography, you have to see this barf-worthy chamber of horrors from yesteryears, now that you mention the spit-up ramen.
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I’m eating an early lunch–or a late breakfast–so I’ll refrain from viewing the barf page just now. Quality sound reproduction does not entail absence of hisses and ticks. In fact, some of my favorite recordings are CD transcriptions of classic or scarce vocal recitals from 78s. They’re loaded with evidences of embodiment, but there’s a luster that remains, and a sense of heft to the performer’s reproduced presence. This is why all of the hoopla about digital sound’s “perfection” was just hoopla.
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Alright, Eggs Divan, Clams Inverness, and Speedy Spanish Rice take the cake! See what I mean about the silly photographic styling that spoils the image (and the appetite)? Unfortunately, one needn’t dig up an old cookbook or foodie magazine to see more of this stuff.
Now, where did I put that recipe for Bananas Picasso?
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My nephew took me to a S.Indian restaurant near Redwood City. On an impulse I tried a Chettinad dish that amazed me with its complexity of taste. I had read about Chettinad food becoming popular in Chennai restaurants, so expected that it would be a cinch to find some in Bangalore. In three months nobody could steer me to this cuisine. I think it’s time to set aside idlis, doses, vadais, etc as passé and promote other foods and cuisines of S.India.
The other place I had excellent S.Indian food was in the Kakatiya Hotel in Hyderabad. They had every conceivable S.Indian cuisine on their menu, and special items that my mother had long since given up on. But this was a decade ago, and the place has not retained its reputation.
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The two most memorable south Indian meals I have had in my whole life were respectively at the wedding of a friend’s brother decades ago and more recently in a restaurant in Delhi where my sister and brother-in-law took me. The wedding feast was Tamil vegetarian and the restaurant fare consisted of fish, meat and vegetable dishes from Kerala.
Sujatha has already quoted my penchant for eating from roadside stalls. But sadly those adventurous days are mostly in the past. I take far fewer chances now.
A south Indian place in Houston, Madras Pavilion, whose suburban branch opened in my neighborhood to my eager anticipation. Soon thereafter it decided to go “fusion” and now serves an insipid mish-mash of “Matar Paneer,” “Chicken Korma,” “Shrimp Vindaloo,” “Chhole Bhature” along with the south Indian dishes. On the whole, it is a let down. The downtown Madras Pavilion is still a strictly vegetarian (idly, dosa, vada, sambar) place. It is also one of the handful of certified kosher places in town. I have stopped patronizing the suburban branch and naturally, it has also lost its kosher status.
What I have never found in Indian restaurants in Delhi or abroad is authentic Bengali fare – a distinct cuisine, very different from either south Indian or north Indian offerings. I have heard that London has some hole in the wall authentic Bengal eateries run by Bangladeshis which offer Bengali fish and rice. But I have never found one in north America or for that matter, in north India.
And during my two years stay (exile?) in dreary northern Germany, I would have given an arm and a leg for a bite of a “masala schnitzel.”
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The best S.Indian homestyle cooking that I’ve ever eaten in a restaurant was in a tiny dark hole of place with flickering lamps on some street in Toronto. The place was run by Sri Lankan Tamils, whose cuisine must resemble traditional cooking in the part of Tamil Nadu that I hail from, which could account for what I felt tasted close enough to my mother’s and grandmother’s cooking. No, idli, vada and sambar weren’t the staples here- just appam ,sodhi, pulikkuzhambu (a tamarind based stew) and poriyal, which are less likely to be found in your average S.Indian (or styled) restaurant kitchen.
As for Malabar/Kerala cooking, my sole acquaintance with it is confined to the occasional (heavenly rich) ‘theeyal’ made by my sister’s live-in nanny. I remember rare tastes of fish curry from the tiffin boxes of my friends, but didn’t care much for it. The Kerala recipes are very generously laded with coconut, which lies heavy on a palate used to more veggies and less coconut (now-as I’ve modified my cooking to deal with the unavailability of fresh-off-the-tree coconuts).
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@Ruchira
Next time you are in Delhi, try “Oh Calcutta” near Nehru Place – in a building next to the Intercontinental Hotel….
You will find the authentic Bengali food out there………..try to google it for reviews :)
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