Accidental Blogger

A general interest blog

Malcolm Gladwell, the tireless social commentator and examiner of sacred cows and conventional wisdoms has another provocative piece out. This time he analyzes the cultural and moral disposition of Atticus Finch, a leading character in Harper Lee's To Kill a Mockingbird, the celebrated American novel set in the deep south of the 1930s Depression era. In the New Yorker article Gladwell takes a look not just at Finch the man, but also the lawyer. I did not know until I read the Gladwell piece that the fictional Finch's court room tactics on behalf of his beleaguered client has occasionally been a topic of discussion among real life lawyers. I suppose one does analyze and fret over fictional characters when those characters become iconic symbols with respect to societal arrangements and our comfort levels with accepted norms.

The main question posed by Gladwell however, is: When confronted with unpleasant or unethical laws and practices, whether public figures (authors, politicians, lawyers and others) have an obligation to use their platforms to reform such wrongs with vigorous opposition if necessary, or must they work within the system and let their own personal decency be the guideline for bringing about incremental "live-and-let-live" variety of accommodations?

Atticus Finch

Since Finch's lawyering skills are discussed at length by Gladwell, I asked my lawyer co-bloggers to comment on the essay. I heard back from a couple of them.

Joe, a recent law school graduate asked:

"I can't stop myself from pointing out that Gladwell is annoying and overrated.  But apart from that, I just don't understand why so many people seem to care about the arguable personal failings of a fictional trial lawyer."

Another co-blogger Anna, a disabilities rights attorney who has been in the legal profession for some time had more to say:

"Unlike Joe, I often like Gladwell's pieces, but this one doesn't work for me. My basic problem is that Gladwell avoids obvious textual readings to force a novel thesis. The worst case of this is his reading of Boo Radley at the end. It's explicit in the book that Boo Radley is not just "reclusive"; he has traits we would probably now describe as a developmental disability. And he's no more "respectable" than Tom Robinson.  It's not the "burden of angel-food cake" that worry Atticus and the Sherriff, but concern over how Boo would hold up under the scrutiny that would accompany the cake. The book clearly connects the characters of Tom and Boo as harmless outsiders at the mercy of an often unkind world: the eponymous mockingbirds of the title, whom Atticus says that it is a sin to kill, because

"Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people's gardens, don't nest in corncribs, they don't do one thing but sing their hearts out for us. That's why it's a sin to kill a mockingbird."

The politics based on that view are certainly open to criticism, but not through the trite race/class/gender bias-swap that Gladwell posits. Gladwell's right that To Kill a Mockingbirdis, in many ways, a conservative book, but Lee's blind spot is not so much complacency as it is paternalism. As with Uncle Tom's Cabin, in many ways TKM's obvious ancestor, the book's weakness is that in its appeal to readers' sentiments, it limits its underdogs' characters to noble savages.

Whether the Aristotelian value of human decency and empathy within a society troubled by structural injustice is necessarily bad, or just incomplete, is a separate question that I am too tired to tackle here. Ditto the related question–  given the strengths and weaknesses of our current President– of compromise versus confrontation. I tend to believe that the world needs both. "Power concedes nothing without a demand" (Frederick Douglass), but zig-zag battles for hearts and minds create fertile territory for the demand, and are important to implementation of a demand that's been satisfied with an order. Brown v. Board of Education carries tremendous declaratory import, but had Folsom or someone else succeeded in equally funding traditionally black schools, regardless of the reasons for doing so, the process of actually carrying out Brown's dictates would have been far easier.

Because it does not fit his thesis, Gladwell also wholly misses the book's point about Due Process– that justice requires a lawyer to provide the best representation possible even to someone hated and already condemned in the court of public opinion…and that requirement holds true even if the other actors in the process (here, the jury) do not hold up their end of the bargain. I continue to believe in that moral– the value of due process- though having represented more than my share of underdogs and accused, I also think it's hard not to become embittered by the adversarial system."

More thoughts, anyone? Legalistic or just common sensical?  Also, have any of the law blogs discussed the Gladwell article?

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8 responses to “Atticus Finch = Big Jim Folsom?”

  1. Dean C. Rowan

    I trust Anna’s observation that Gladwell misreads Lee egregiously. Having never read the book nor seen the movie, I nevertheless detect a predisposition to stack the deck in the New Yorker piece. Take this fulsome baloney: “If Finch were a civil-rights hero, he would be brimming with rage at the unjust verdict. But he isn’t. He’s not Thurgood Marshall looking for racial salvation through the law. He’s Jim Folsom, looking for racial salvation through hearts and minds.” Now who’s conservative? Rather, bigoted? In order to pose the question of whose side Finch is on, Gladwell has to mark sides, and he does so in caricature.
    But the best evidence of Gladwell’s weak reading skills is the last sentence. Since when do books, other than Dummies Guides, instruct us about the world?

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  2. Joe

    Yes – the Gladwell article was discussed in this post at PrawfsBlawg: Gladwell went easy — too easy — on Finch in failing to strongly enough criticize (1) classism and (2) the trial strategy of not suborning perjury. Or something like that. Honestly, it’s hard for me to pay attention.
    I read the book for some class in middle school, and I thought it was good, but better than Heart of Darkness or Tom Sawyer or Huck Finn or The Scarlet Letter or anything by Orwell or Vonnegut? Meh. In any event, to echo Dean’s comment, I’ve just never thought of To Kill a Mockingbird as a book that instructs me, or particularly should instruct people, about the world. Fiction allows readers to glean some emotional experience from a situation outside of their normal lives, but it doesn’t and shouldn’t tell us how to live our lives.

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  3. Fiction allows readers to glean some emotional experience from a situation outside of their normal lives, but it doesn’t and shouldn’t tell us how to live our lives.
    That would be wise, wouldn’t it? But fiction occasionally does become the guiding light for some. One of the more annoying examples is Ayn Rand whose overwrought fictional accounts have given rise to an entire school of “philosophy.”

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  4. Dean C. Rowan

    Yes and no, Ruchira. That folks read Atlas Shrugged for analytical or practical guidance is disturbing, but Rand also wrote what she took to be philosophy of a useful kind. See her Capitalism: The Unknown Ideal, for example. But Rand is an outlier case, an exception proving the rule that fiction is instructive about one thing and only one thing: fiction. For that matter, Star Trek has for some ridiculous reason permeated all manner of discourse: journalistic, popular scientific, popular philosophical, etc. I shudder whenever I read in, for example, a law review article some quip about such-and-such an episode intended to illustrate a legal scenario or conundrum.

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  5. True, Ayn Rand did write that piece of non-fiction crap also. But almost all those who eventually check out her brand of political/ economic philosophy, do so after first reading her fictional works. Most often, Atlas Shrugged and Fountainhead are the usual gateway to Randianism although some adolescents probably also find the sex scenes in them pretty arousing and go on to other pursuits. For most Objectivists, Rand’s fiction is the intro to her philosophy which by the way, Matt reminded me recently, amounted to “F**k all, ya’ll.” The last pithy observation was made by the late beloved and now disappeared Dadahead.

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  6. Joe

    “Since when do books, other than Dummies Guides, instruct us about the world.”
    A rather critical opinion on the power of fiction! For instance, the Framers of the Constitution were much influenced by the classics.
    I find it strange that we are supposed to be surprised that someone might think a classic that influences the general public of this caliber — one that also provides a window into the past (or our view of it) — is worthy of analysis. Really? If so, I suggest a Google search on, e.g., analysis of Billy Budd.
    As a legal amateur, fwiw, I found the article dubious, for some of the reasons suggested here. It stacks the deck for effect, a cheap trick that comes off as dishonest.

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  7. Joe

    Um, that last comment (11:31 pm 8/13) was not me. I also don’t think that Billy Budd should instruct us about the world.
    –Our Joe

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  8. Joe (our Joe), to avoid confusion, you should link to the URL of Accidental Blogger in your ID. You normally do I have noticed. Other A.B. authors may consider doing the same also, especially when commenting on other blogs. That’s one way to spread the word around.

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