Accidental Blogger

A general interest blog

  • Some news items from 2010 compared, using Google Insights/Trends, for the amount of interest they generated. This is the number of searches in google news for each item, normalized in some unclear way. The biggest story of the year, at least of the ones I checked, is Tiger Woods. Woods beat the World Cup and Wikileaks combined. He's twice as big as the iPad, which beats Justin Bieber by a whisker. Global

    Healthcare bill and Ground zero mosque generated comparable search and news story volumes. Healthcare generated brief but intense interest in March, while the mosque story had more staying power.

    Healthmosque

    In the world of outrage, Dr. Laura, Rick Sanchez and Juan Williams all made creditable showings.

    Outrageporn

     

    Here are all the stories I checked in order of interest. It's descending order all the way through, and the line breaks are quite pretty subjective:
    Tiger Woods
    iPad, Justin Bieber, Wikileaks
    World Cup, LeBron James
    Glenn Beck, Haiti Earthquake, Jon Stewart, Healthcare, Gary Coleman
    Prince William, Scott Brown, Iceland volcano, Elena Kagan, Rush Limbaugh, Jetblue flight attendant, Corey Haim, Bristol Palin
    McChrystal, Arizona immigration, Natalee Holloway
    Ground Zero Mosque, Rick Sanchez, Juan Williams, Tyler Clementi
    Oil leak, Quran burning
    Chile mine

    There must be something wrong with the oil-leak search, and I'm surprised how few people searched for the Chilean miners story.

    Happy New Year everyone!

  • I hate to say I told you so, but here it is..

    And the reason is not that millions of Pakistanis turned out on the streets to protest (only 100 protesters at Zardari house in Karachi…one can get more than that in a protest about goat prices on Eid) but they were enough..

    The ruling elite really has no alternative vision of the ideology of Pakistan. They may be personally irreligious and universally corrupt to the core, but at some level most of them believe the nation exists in the name of Islam and because:

    1.They are, for the most part, ignorant louts

    2. The army depends on the military-mullah alliance

    and

    3. Saudi Arabia supports (or used to support?) the barbarous faction of Islam.

    therefore, Islam is whatever the Mullahs tell them it is. Until this particular version of Islam does its barbaric work in full and self-destructs, we are in for more of the same. And they have a long way to go. Many in Punjab and Sindh are still dancing at the shrines of saints and otherwise ignoring the wisdom of the Taliban and their supporters…their holy work still has a long way to go. 

     

  • A wonderful essay about the time of the Ummayads by the erudite (and always polite) Ali Minai. A recent piece in the Wall Street Journal touched on this period in a less detailed but still interesting article.. 

  • We all know how the first Charlie Wilson's War ended. A sequel may be in the works.  Once again the script is being drafted by the surviving half of the original adventurous duo, in Houston's upscale River Oaks neighborhood. I am both hopeful that the more benign Part II of the Texas strategy will succeed and a bit nervous about what new havoc the good intentions of the rich and the clueless may wreak on the benighted war-torn nation of Afghanistan, if things go awry. Joanne Herring, the Texas socialite (played by Julia Roberts in the movie) wants to revisit, from her living room, the country whose destiny she and her friend Congressman Charlie Wilson tried to reshape via a CIA  funded proxy war against the erstwhile Soviet Union and the communist government of Afghanistan in the 1980s.

    Joanne Herring 
    So goes Herring, the determined advocate for a solution in Afghanistan whose charm and Southern drawl are back in action for an old cause. She has a 500-page plan to support a coalition of nonprofit organizations for coordinated, village-by-village redevelopment that she argues is vital for peace.

    Government heavyweights agree, but getting them to fund the solution — which would involve targeted investment in infrastructure and education – has been a 20-year challenge.

    In the late 1980s, Herring and U.S.Rep. Charlie Wilson, D-Lufkin, pushed for spending on education and development assistance in Afghanistan after the United States ended its covert support of a guerrilla campaign against the Soviet Union. Their failure was depicted in the film when Wilson, portrayed by Oscar-winner Tom Hanks, asked his colleagues to approve funding for a school in Afghanistan. He was ignored by members of Congress, busy celebrating the success of the covert mission.

    In the years that followed, the largely illiterate and underdeveloped nation fell under the influence of Muslim extremists, who eventually developed into the Taliban and took control. Development work in Afghanistan could have prevented that, Herring said.

    "A tiny, little bit of money would have made such a difference," she insisted. "So many lives would have been saved."

    Did her research

    Herring initially backed away from the issue, choosing to focus her energy instead on her two sons and two grandsons.

    "I was so worn out by Afghanistan that I almost never wanted to see it again," she said.

    But a conversation three years ago with Caroline Firestone, the widow of the late rubber heir Leonard Firestone, changed her mind. Firestone was active in providing assistance in Afghanistan through a Kabul hospital. She told Herring stories of Afghan children being sold by their parents. Some children, Firestone claimed, were being used to supply organs for transplant.

    Herring began researching out of her River Oaks condominium…..

    "There was never any real showable progress because everybody was fragmented around doing all the same jobs," she said. "But each (group) had a specific job, so I got the best ones to do their specific jobs, then wanted to go out and raise money for them."

    Obstacles to progress

    Herring tried to tap into the United States' current funding stream for aid to Afghanistan, through the U.S. Agency for International Development, but ran into obstacles, then found that it would only support portions of her plan. So she declined the money and began to discover flaws with the agency's spending, which has produced little or no measurable progress in Afghanistan after at least $11.5 billion directed there since 2002, according to federal audits.

    Herring and her supporters argue that USAID is flawed and that government money could instead flow directly to aid groups from the Department of Defense as part of its mission to win over hearts and minds in the country.

    "There's going to be spending in Afghanistan, and we want to do it because we can do it for less than anybody," Herring said of her nonprofit coalition.

    She has a new partner – a new "Charlie," she says, referring to the late congressman – to help lead the effort past Washington's reservations: Greg Mortenson, known for his success with building schools in the volatile border region of Pakistan and Afghanistan, plans to help direct Herring's group of nonprofits. Mortenson has advised President Barack Obama and Gen. David Petraeus, the commander of American and NATO forces in Afghanistan, on working with locals in the region. His pioneering aid efforts were documented in the book Three Cups of Tea.

    Okay, so far, so good. But I do hope that Ms Herring is planning to line up a dedicated cadre of volunteers like Greg Mortenson who will venture into Afghanistan to put the war ravaged pieces of its society and infra structure together for a happy ending to the adventure that began 3 decades ago. Mortenson is a driven man who personally oversees every step of his mission in the remote regions of northern Pakistan. Does Herring at the age of 81 plan to be as hands on in her good will efforts? Or will the funds be diverted to local Afghan officials whose corruption is world renown? Although there are no arms involved in the new scheme, could the Taliban and Al Qaida in fact lay their hands on the money meant for the NGOs and  use it for buying arms in an already lethally armed region? Is it physically possible for Mortenson to take on another arduous task of building hospitals and schools in another poverty stricken, undeveloped and dangerous part of the world?

    The questions I ask should be answered seriously by Herring and her supporters. The language of the news story in the Houston Chronicle describing Herring and her mission is sprinkled with journalistic babble that makes her look like a lightweight socialite dilettante with overarching ambitions and little gravitas. Here are some examples describing  Ms Herrring's traits and mannerisms: 

    • whose charm and Southern drawl are back in action for an old cause
    • with an energy and passion that defy her age
    • tossing her head in laughter and coaxing them with her resonant voice
    • commanding attention as her petite frame glides into rooms
    • when she sashayed her way into his [the Joint Chief of Staff, Admiral Mike Mullen] heavily guarded vehicle

    Either this is not serious reporting or Herring, even when she is sincere, comes across as non-serious – the price of being rich, privileged, a southern belle and a past failure in an earlier political mission. But we don't know what is in her heart and what she may be able to accomplish this time around. She lays out her objective as follows.

    "Nation-building is what I'm talking about," Herring said. "We have to rebuild their strength and then we can leave." That is something that didn't happen in the past, Herring said, after the Afghans fought off the Soviets.

    "We just abandoned them."

    Nation-building, again? The lofty scheme always sends a slight shudder down my spine. Best of luck. I really hope that Herring succeeds.  If I had the opportunity to offer a few words of caution, I would add some more cliches to the already cliche-ridden story:

    • this time, please put the physicians' oath to "do no harm" above the political motto of "win at any cost"
    • "the path to hell is (often) paved with good intentions". 
    • "Afghanistan has been called the graveyard of conquerors and nation builders for centuries."
    • "country club meetings with ex-dicators and former power brokers may look impressive on paper but they probably have no clout with the real players."

    …and so on. However, although the political situation in Afghanistan has become a dangerous cliche due to the decades long Game of Chicken being played there by rapidly changing groups of adversaries and collaborators, the economic, physical, psychological and human rights conditions of ordinary Afghans is a real tragedy that no cliche can adequately describe. The Afghan malady needs a far more effective prescription that drone attacks from the sky and Three Cups of Tea on the ground.

  • The intersection of writing, fame and commerce that was the coda of Sujatha's last post triggered a memory of a crônica by Russell Baker that was included as a post script in an anthology titled "The Historian as Detective – Essays on Evidence", Robin W. Winks, Ed. Not the historian, silly! Wink, the editor, with a nudge, gives this nod to Baker, the humorist : 

    "We need not take the tragedy of history so seriously as to forget our obligation to laugh as well. Perhaps the humor of history is black, a discipline of the absurd to match the world's stage on which the theater of the absurd plays to standing-room-only audiences, but the humor is there nonetheless. Let the final word here be given to a man who represents those historians of the moment, newspaper reporters, those men who give most Americans all the history they will ever read once they have left school, and all they have ever read with pleasure. Russell Baker, a columnist for The New York Times, reminds us of Carl Becker's message, that Everyman will be his own historian."

    Having typed that I seem to have forgotten how it all relates to Sujatha's post, except that Baker's piece is in counterpoint to her conjecture that "maybe the freedom to write what one wishes comes after fame". In the event, humor is a reward unto itself.

    (more…)

  • Our recent discussion of China prompted this post. Just to give people an idea of what China looks like to the military "deep state" in Pakistan. The military leadership is aware of Pakistan's rather precarious image in the rest of the world, but they think they have an ace in the hole….

  • An interesting post from the New Republic. Though I think the assertion that globalization has led to "more conflict" since 1950 is empirically false. Armed conflict between great powers has actually declined since world war two .

    I am not too interested in Strauss or Schmitt, but I do find myself increasingly interested in the increasing irrelevance of left-liberal academic discourse. It seems like most of it is just mindless repetition of fashionable positions (human rights, gender equality, anti-imperialism, anti-walmartism, identity politics, soft racism, etc) with little or no connection with actual events in the world (maybe there is some connection still with American domestic policies, though even that is open to question, but certainly they seem to have nothing useful to say about the conflicts that do exist in the wider world). 
    China must be interesting. I wish I knew more about it. 

  • This is an expanded version of an earlier note from my father about his experiences in 1971. I think it is an important document and others like this need to be written if we (especially Pakistanis) are to recover some truth about that terrible year…

    Revisionism, meanwhile, is in full flow..

  • Let us imagine Julian Assange is innocent of raping those two women. Let us imagine it’s my job to discredit him. If I were trying to set Assange up, I couldn’t pick many better crimes to charge him with than date-rape. When a government accuses a whistle-blower under dubious circumstances, the natural response is to say ‘yeah, right’. Imagine if instead he were accused of child-molestation, or murder or tax fraud or of consorting with bin Laden. The right and center would absolutely despise him, sure, but they already do, and the left would home to the notions that he’s innocent till proven guilty, that the alternate explanation where he’s being framed makes at least as much sense, and why on earth did the Interpol get involved anyway. Because we’re talking about rape and rape-rape and patriarchy and feminism though, Assange’s base splits two ways between fighting against the persecution of a whistle-blower and fighting against the notion that women often charge rape out of ‘buyer’s remorse.’ Me, I think the accusation seems well designed to short-circuit the presumption of innocence, and am going to disable my anti-false-rape circuitry for the case pending further information.

  • During my recent trip to India, I was able to visit two art / history museums of interest. One was Tagore's ancestral home in the Jorasanko (Twin Bridges) area of Kolkata, the place of the poet's birth as well as his death. The other was the wonderful National Gallery of Modern Art in New Delhi which I had last seen many, many decades ago. A third equally delightful encounter did not include a museum but it too was tangentially related to art and history, albeit of a more personal nature.

    During my yearly trips to New Delhi I mostly spend time with family. If time permits and contact information is available, I also try to meet up with old school and college friends. Most of my friends are scattered over India and the world. Some of us have renewed connection virtually, thanks to Facebook. But real world, face to face meetings are few and far between. This time, due to the efforts of a dear friend with whom I have been in fairly regular touch over the years, I was able to meet two other very good school friends whom I had not seen for some forty years. When we came together, we were able to take up from where we had left without missing a beat. The four of us met for a leisurely lunch in a lovely restaurant in New Delhi's Khan Market. The meal lasted for nearly four hours.  There was much to talk about the intervening years but mostly we talked about our boisterous teenage days. Reminiscences of  school, our teachers and friends, came fast and furious. Seated in the middle of the restaurant, our loud laughter and conversation attracted the attention of other customers and the restaurant staff, I am sure. But we kept ordering food, so no one asked us to leave. Needless to say, we had a fabulous time.

    One of the friends at the meeting was Madhavi Mudgal. A science student like me in school, after a short stint as a student of architecture in college, Madhavi chose a career in classical dance and went on to become an Odissi dancer and teacher of considerable repute. Ever since I had known Madhavi, she was a talented dancer. But when I knew her, she was learning and performing Kathak and Bharat Natyam. That she successfully changed over to yet another classical dance tradition later in life is not surprising for an artist as gifted and disciplined as Madhavi. Here is more on her background and accomplishments. (And yes, she is still dancing and performing publicly.)

    Madhavi-2 

    Madhavi Mudgal epitomizes the elegance and sophistication that are the result of blending modern sensibilities with the ancient ethos of eastern India to create the highly lyrical dance art of Odissi. Born into a family deeply involved in propagating the classical arts, Madhavi was immersed in music and dance from a very young age. With every opportunity to learn the arts, Madhavi trained in Bharata Natyam and Kathak under great gurus and performed these dance styles to acclaim.

    Later she turned to Odissi which she adopted as her preferred medium. Her introduction to Odissi took place under Guru Hare Krishna Bahera who trained her in the fundamentals. Later she came under the tutelage of the renowned Guru Kelucharan Mahapatra.

    Madhavi's command over the nritta or purely ornamental aspect of Odissi is striking. Her delicate postures and strong rhythmic footwork combine in an appealing flow of sculpturesque movements. Her subtle abhinaya (the expressional aspect of dance), musical knowledge and aesthetic sense add to the highly distinctive character of her recitals.

    Through teaching, performing and conducting workshops, Madhavi has been actively involved in propagating the art of Odissi in New Delhi and other parts of India as well as the world. She has trained a number of accomplished students who are performers in their own right. In nineteen eighty five she organized a seminar and festival, Angahaar, a first of its kind event in New Delhi when gurus, scholars and dancers met to revisit the origins of Odissi and think about the future trends of the dance form. She also directed and produced a short audio-visual documentary that was screened at the festival.

    Madhavi's father, the late Professor Vinay Chandra Maudgalya was the founder of the famous Gandharva Mahavidyalaya, New Delhi's first and most highly reputed institution for the teaching of Hindustani music and classical dance. Madhavi has been teaching Odissi at this institute for many years.

    For her contribution to the art, Madhavi Mudgal received the Sanskriti Award and the President of India's award, the Padmashri besides the Sangeet Natak Akademi Award for her contribution to the world of Indian Dance.

    Madhavi will be in Washington D.C. next March to participate in the Maximum India festival at the Kennedy Center. Let me see if I can make it there to see my friend dance after a gap of many, many years. Meanwhile here are a couple of video links to Madhavi's performances, one solo and the other with a group of dancers.


  •  

    Surprise! Ron Paul Stands Up for the First Amendment!

    Ron Paul stands up for the First Amendment, protecting the truth, and supporting the messenger who delivers the truth.

  • Egg-face-415x283

    I Have Egg on My Face!

    by Norman Costa

    No joke! I misread the text of an article which contained an image of Jean Auguste Dominique Ingres' painting, L'Odalisque à l'esclave. The article referred to a gift made to John Kenneth Galbraith by the country of India. The generous gift was bestowed upon Galbraith, father of James K. Galbraith, after his service as U.S. Ambassador to India. 

    The gift was a collection of 18th century minatures.  I assumed, mistakenly, that the gift included L'Odalisque à l'esclave.

    I am sorry for the mistake and diverting your mental energies to solving an unsolvable puzzle. In small recompense, I am including a link to a very good quality high resolution image of the painting. The image is in the public domain, so click HERE to call up the Hi-Res file and save it to your computer.

    Jean_Auguste_Dominique_Ingres_008_L'Odalisque_à_l'esclave

     

    See more information on Ingres' fascination with the Odalisque throughout many years of his career, below.

    Odalisque and Slave

    Odalisque_drawing
    This drawing represents the artist's return to his famous Odalisque and Slave canvas of 1839 and to an 1842 work with a landscape background. The choice of subject points up Ingres's interest in Orientalism, already visible in his Grande Odalisque and at its apogee in the famous Turkish Bath of 1862, now in the Louvre.
           
    Exoticism and a taste for detail

    Here Ingres portrays a languorous odalisque in a harem, listening to the music of a slave girl. The young woman complacently adopts one of the languid poses familiar in Ingres's work, her body undulating in a near-musical way, as if she were dancing in a reclining position. The details – crown, fan, nargileh – are treated with a quasi-hyperrealist precision. The enclosed space gives rise to an ambiguous relationship between the two women, and the presence of the black eunuch in the background heightens the claustrophobic atmosphere.

    Many years later

    As he so often did, Ingres returns in this drawing to an earlier painting: an odalisque commissioned by his friend Charles Marcotte (1773-1864) – Marcotte d'Argenteuil, as he was known – and now in the Fogg Museum in Cambridge, Massachusetts. The painting dates from 1839, when Ingres was director of the Académie de France at the Villa Medici in Rome. In 1842 he painted a second version, with a background of a garden and an Oriental niche (Walters Art Gallery, Baltimore). The woman's pose, however, comes from the much earlier Sleeping Woman, painted in 1814 and now lost.

    The triumph of Orientalism

    Artists' growing fondness for trips to the Orient, the influence of travel books, and the taste for the exotic were the main contributing factors to the rise and enduring popularity of Orientalism in European painting in the 19th century. But unlike Delacroix, for example, Ingres never went East, drawing on engravings and Persian miniatures to make his décors as exotic as possible. Here the oriental atmosphere owes less to the use of color than to the voluptuous arabesques. At one point, Ingres considered titling this work Sultana Resting.

    Documentation    

    – PRAT Louis-Antoine, Ingres, Paris, Milan, 5 Continents éditions, 2004, n 48.

    SOURCE