Accidental Blogger

A general interest blog

The recent demise of reclusive author J.D. Salinger has spawned numerous obituaries in the media. Most of them focus on his literary /cultural impact as the creator of Holden Caulfield, a character widely believed to have appealed to the youthful alienation experienced by several generations of young readers. Is Holden Caulfield a universal, timeless youth icon?  Do today's youngsters feel the same way about him as their parents did? May be not. Writing in the Smart Set more than six months ago, author and blogger Morgan Meis speculated that the world has changed as has the young reader's opinion of Salinger's anti-hero.

Catcher in the Rye
 

I'm for the kids. It’s crazy not to be. Are you, dear reader, mighty Atlas, going to hold the world in place and keep it from changing into something new? One lesson of all hitherto existing human history is that the kids have the advantage in the long run. This is a function of time and finitude. The only real wisdom comes in realizing that the kids of today will get their comeuppance with the swift passing of a decade or so. They, too, will wake up one day to find themselves representatives of what was, instead of what shall be. The kids keep on coming.

We learned recently (from a New York Times articleby Jennifer Schuessler) that Holden Caulfield, the anti-hero of J.D. Salinger's The Catcher in the Rye, has lost his appeal among the teenage crowd. This came without fair warning. No pimply representative of the Millennials stepped forward to cushion the blow. Instead, we are informed by Barbara Feinberg — "who has observed numerous class discussions of 'Catcher'" — that a 15-year-old boy from Long Island has said, "Oh, we all hated Holden in my class. We just wanted to tell him, ‘Shut up and take your Prozac.’"

It is easy to respond defensively and with contempt. People don't like to have their heroes snubbed, especially when the snubbing comes from some little punk from Long Island whose fingers are surely rubbed raw from constant tweeting, texting, gaming, and masturbation. We (shall we define 'we' as that part of the population over 30?) find subtle ways to undercut the legions of cheeky hormone machines. Trying to explain the sudden disdain for Mr. Caulfield, a cultural critic by the name of Mr. Dickstein says,

The skepticism, the belief in the purity of the soul against the tawdry, trashy culture plays very well in the counterculture and post-counterculture generation. [Today], I wouldn’t say we have a more gullible youth culture, but it may be more of a joining or togetherness culture.

Indeed, Mr. Dickstein would never say that we have a more gullible youth culture now than in his time, except that he just did. Such are the sneaky tactics of the older generations in the face of youthful boldness.

I asked my co-bloggers if any of them had anything to say about Salinger or Holden Caulfield. No one did. Two of the younger authors, Joe and Andrew (both students of English lit) responded as follows:

Joe: [at] the moment I can't think of anything non-snarky to say, and I feel it might be (1) unwarranted and (2) unkind to the recently deceased.

Andrew: I'm not the biggest Salinger fan. I recently read Frank Portman's high school novel "King Dork," which rages against the institutionalization of Holden Caulfield as a nonconformist icon — the book asks, how can he be a nonconformist icon if every third-rate hack of a teacher presents him as such?  Which is the point the Onion piece* was making..

Of all the articles in the media I have come across on Salinger recently, this essay by Meis written before the author's death, struck me as the most insightful. I myself read Catcher early enough before I was jaded by the worldliness of adulthood, probably in my latish teens. My reaction to it was a bit like the cheeky hormone machines of today although I didn't know Prozac. But in my case it may have been more of a cultural thing. I was a young girl in India in a different milieu inhabited by very different quality of angst.

Meis on Rye ends with this:

But the original lines have nothing to do with "catching." There is no catcher in the rye. In the Robert Burns poem it is "meeting" instead of "catching." If a body meeta body comin' through the rye. And that meeting leads directly to kissin'. That Salinger turned "meeting" into "catching," turned basic human interaction into paranoia and fear, is no fault of J.D. Salinger. Holden Caulfield spoke to three generations because alienation was real. It still is real. But not in the same way. There's a twist to the story that we are still trying fully to grasp. The kids are working on new metaphors. They have their own archetypes to construct. If that means saying goodbye to Holden Caulfield then so be it. I wouldn't be at all surprised if he makes his eventual return, resurrected by the kids of the kids somewhere down the line when somebody has had a little too much of the phonies.

Where are the phonies? Are they from the past or will they rear their heads in the future? Meis is looking down the road for them and their inevitable hypocrisy. The Onion* seems to think that some are here, right now, lamenting the passing of an icon, whose cultural / spiritual half life may not be as lengthy as they had once believed. [link to the Onion via Sujatha]

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9 responses to “The Catcher in the Rye – a vanishing icon?”

  1. i’ve always felt like ‘rye’ is a book that needs to be rescued from it’s reputation.
    it’s iconic status, it’s reputation for being the ultimate expression of teen (male) angst…it’s just a lot of nonsense. i think people read the book with these over-hyped labels in mind and miss the actual content.
    it’s just a genuinely funny book. ‘rye’ has some of my favorite humor writing, many quotable, enjoyable passages. all of the angst and brooding that recieves the attention: it’s actually kept to a minimum in the book. and often times, his expressions of angst are played for laughs…it makes him absurd, not someone to be admired.
    anyway. it always kills me. i think it’s a funny book, have always felt that it’s reputation keeps people away from that aspect of it.

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  2. Long time reader Angel Rivera writes on my Facebook where I linked to this post:

    I fall on the camp of the “kids” who hated Holden and Salinger. Reading that book was one of the most unpleasant things I have done. Why the hell that recluse write is so over-hyped is beyond me. The book was not “funny,” or amusing, or insightful, or whatever other labels the literati want to give it. As far as I am concerned, the sooner it joins the pile of forgetfulness along with other forgotten books, the better. But if the book “works” for people, oh well.

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  3. Dean C. Rowan

    I’ve never read Salinger, but I wonder whether, while CITR has lost its appeal, some of Vonnegut’s work won’t achieve real, lasting critical acclaim despite its similar association with randy adolescent male nerds. I savored Breakfast of Champions at a time when you could peg me with at least three out of four of those characteristics, but I haven’t had the heart to revisit it or any other of KVJ’s fun parables. I’m afraid of being disappointed by them. Yet something tells me there might be more to his writing than met my wandering teenage eye.

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  4. Andrew R.

    Dean, I read Breakfast of Champions recently and thought it was fantastic. It does the 1970s metafiction theme of the falseness of realistic narrative and plotting — but without losing a sense of humor or sympathy for the human beings who have to live in a disordered series of random events. If I were still teaching, I’d definitely assign it instead of some of the more austere writings of Barthelme or Gaddis. Not that those latter two aren’t great — but I think that Vonnegut conveys the same ideas in a more approachable way. Moreover, Vonnegut doesn’t abandon a sense of the social fabric or the political context, in a way that some of the experimentalists do.

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  5. Dean, funny you should bring up KVJ in the context of Salinger, as also what Andrew said. In a post about Salinger over at 3 QD, Elatia spoke of prevalent zeitgeist and its relevance to literary success. I said the following in response.

    You are right of course. I did not mean to denigrate enjoyable youthful experiences that don’t thrill once again across the divide of decades. There is much that we loved as children but do not have any use for now. Why should some literature be an exception?
    It is just that some books withstand the test of time and others fall flat on a re-read. I am guessing that Catcher in the Rye will be the latter for me now. That is not an indictment of the author necessarily, just the nature of the subject matter perhaps or its relevance to a particular time in history or one’s own life. For example, Catch 22, which was absolutely amazing when I read it first in the late sixties seemed peculiarly disjointed when the middle aged women of my book club attempted to read it again a few years ago when the Iraq war was raging. But Cat’s Cradle, and Slaughterhouse 5 which I read again when Vonnegut died in 2007, remain perfectly satisfactory under the scrutiny of my more jaded second glance.

    My response to Elatia is a bit misleading. I didn’t like “Catcher” very much in the first place. So I wouldn’t revisit the book, in any case. Like Salinger’s “Rye” and for similar reasons perhaps, Kerouac’s On the Road failed to impress. I mentioned that here once in a previous post. I said that Kerouac’s musings sounded like the self absorbed ramblings of a bad blogger although it had its moments.

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  6. by the way, i got a kick out of the humor in “rye”, but it’s never been one of my favorite books. i think a far better “anti-hero”, with all of the qualities that are attributed to caulfield, is the protagonist in Barth’s “end of the road”. can never settle on an identity…describes himself as “weatherless”…the novel is much more insightful about aloof, disconnected personalities.
    my favorite novel book about modern alienation: the phone book. i read it at least once a year. predictable ending, but the chaotic mingling of randomly numbered, non-descript citizens…a must read.

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  7. Ah, the hefty phone book! Why did we forget about that name filled, anonymous publication?
    But more seriously, Matt. You, more than any of us here, would probably recognize the aloof anti-hero. The genuinely aloof ones, I mean. Not those who work hard at appearing to be detached and alienated.

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  8. well, i am a character in the phone book, so i have some experience from that.

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  9. Matt, as usual, you know how to turn my serious comments, scoldings into a joke. Please bring back Cerulean Blue.

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