Accidental Blogger

A general interest blog

A performance artist of considerable elegance, Mylène Dressler is a versatile woman.  Whether she is speaking about her latest book, leading a discussion on a classic film or talking about the art and craft of writing, Mylène (pronounced Mi-lan) brings her experience as a dancer, teacher, author and speaker to the forum. I have met Mylène on three different occasions and every time I was struck by her vivacity, dancer's grace and eloquence that she unleashes with abandon to connect with the audience and the subject at hand. I have also read two of her novels.

The first time I met Mylène it was at a book club meeting to discuss one of her books. Last week a friend and I attended a talk at the University of St. Thomas in Houston to hear her speak to an assorted group of students, teachers and guests about writing. Mylène spoke with conviction, gusto and her usual charm. Among other things, she explained the power, the magic and the essentiality of language as the connector of the human mind to the world. The discussion also touched upon the role of reading and writing in a world of instant communications. Above all, Mylène spoke of her own love of writing that defined the trajectory of her professional life from a dancer to a published author, with a detour in between as a student and teacher of literature.

Mylene

A short excerpt from the talk, "For the Love of Writing" which was addressed mainly to aspiring students of creative writing:   

"Preparing for this lecture this week, I found myself typing a rather unexpected sentence:

"'Writing, my friends, is a forgiving process.'

"I looked up from the screen. I tried to conjure your incredulous faces. I tried to guess at your thoughts.  (Is the woman mad?  Does she know anything about writing? Does she know how hard, how often I struggle?)

"Yet I marvel at it. At how forgiving writing is. Look at how you can take a pass at a sentence. And then another and another and another.  Each time trying to bring it closer to what it is you are quietly, or urgently, trying to say.  Writing allows you to do that.

"Writing is forgiving.  Writing is forgiving. Time is not. Deadlines are not. Deadlines are stone. The trouble is, at various points in our lives, we're invited to confuse the two.

"But writing is not stone. Writing is range. Writing is luxury. It is not miserly. It is never stingy. We may experience miserliness in relation to writing–deadlines–what we call writer's block–sometimes it's the impulse simply to grunt toward the bare minimum, and see if we can get away with it–but as a medium, written text is never miserly. It is ever, ever generous. It forgives you. It forgives you even that.

"Never doubt that writing is there for you. That it places at your disposal an incredibly successful, finely tuned, intensely tested technology, one we've all been sailing with for over three thousand years now. The rudder may fight you at times. But it is in your hands. It was made, in fact, for your hands.

"Try to remember this."

For more information on  Mylène Dressler, her books and her writings please visit her website and her blog.

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10 responses to “Mylène Dressler : Casting a net with words”

  1. Mylene Dressler

    Ruchira, warmest thanks for sharing this with your readers. How lovely it was to see you again, to reflect on the richness of words and to watch the audience energetically batting the language back and forth. Love the blog, by the way, and the richness found here. I’ll come back for more.–Mylène

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  2. I loved the butterfly story on your blog, Mylène, and will be sure to try out your books!

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  3. Nancy Hudson

    I also enjoyed Mylene’s optimistic view of the future of writing. (I was Ruchira’s companion at the lecture.) So much is said now about how books will disappear in the cyber age. It was nice to hear someone disagree. Mylene believes that the new technology will change the way we communicate in ways we can’t imagine now, but some of the ways will be positive. We can certainly can share thoughts and ideas with people we never would have known without blogs, Facebook, etc. But reading a book is still a private thing and I don’t think we will give it up. Young children begin to read by being coaxed with colorful and pleasing books. It is a lifelong relationship. Several people there–both young and old–agreed that the tactile connection with a book is much more personal than a screen and can’t be replaced.

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  4. Andrew R.

    Hi Mylene, I find your view of writing encouraging, and will look forward to exploring your work.

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  5. Dean C. Rowan

    The video clip of an excerpt from her lecture about language–although I suspect all of her lectures are finally about language–includes an amusing inventory of varieties of language (not, tellingly, literature): prose, poetry, business memo, memoire, “of beaches…or mail rooms,” etc. Yep. Very striking. Language is a “construct,” as she points out, but maybe not in the sense that politics or etiquette are constructs, which is what I think she intends. Language–more properly, texts are constructed like tables and chairs, out of material, hence the “tactile connection” of which Nancy writes above.

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  6. On the other hand, Sujatha e-mailed me this. Another one of the never ending, “to print or not to print” questions. The author is talking more about pruning the world of printed books, rather than ditching it altogether. Dean, you could prognosticate and weigh in on this, in a full length post, of course, if you wish. As a librarian, you are uniquely qualified.
    During Mylène’s talk, several younger people in the audience said that they have not given up the book, despite Kindle. Also, it was interesting to note on probing, how many people admitted to printing out hard copies whenever they had something “important” to consult on the web.

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  7. Mylene Dressler

    Lovely to meet new friends and old here–thanks for the good wishes and comments. I do remain positive about the future of the book, and of narrative in particular. I bought a stunningly gorgeous (inside and out) novel today–A.S. Byatt’s The Children’s Book. Take a look at it next time you’re at the bookstore. The Kindle can’t even begin to compare. And I wonder: as we see fewer and fewer books like this, will we return to a Medieval sensibility–when a book as illuminated as is the cover of Byatt’s becomes a rare and precious thing?

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  8. Elatia Harris

    Well said, Mylene! I’m coming your way after this. Thank you, Ruchira! And remember that after a twenty-year exile, the turntable came back. Possibly because grown people were nostalgic for handling their LPs, and because kids were stunned at the novelty. I do think, however, that there will be beautiful ebooks once the artistic possibilities of the medium are plumbed. A smashing art ebook would be relatively inexpensive to produce. But you wouldn’t be able to sleep with it…

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  9. Having read The Children’s Book, and directed my attention to the cover precisely once when the artefact on the cover is highlighted in the book, I didn’t feel particularly enthused by the tactile sensations of book handling.The book is heavy and has its own heft, to be sure, but the prose was more interesting, and would have held its own, even on a Kindle. That said, the Kindle is capable of displaying pictures, just that they are black and white. I’ve downloaded many children’s books (especially out of print/rare editions, now in public domain) which show up with all the lovely drawings that accompanied the originals in print.

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  10. It is good for us to sharing our experience when we write blog, tell something what we know to the society.

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