Some 200 million copies of his books in fifty languages have sold worldwide. But I am not sure how many American readers may have heard of Hergé or his creation, Tintin. This year is the birth centenary of Belgian born children’s author and journalist, Hergé. Georges Remi reversed the initials of his birth name and came up with the famous nom de plume – RG and Hergé sound alike in French. He began writing the illustrated series, The Adventures of Tintin in 1929 and continued until his death in 1983 leaving the last volume unfinished.
I discovered The Adventures of Tintin around age eleven. My friends and I couldn’t get enough of the short statured, boyish young man whose adventures took him to far corners of the world and on one occasion, even to the moon. Although I must have read more than twenty Tintin comics, I didn’t own a single copy because my school library in India stocked them and I read them there. In the late 1980s with my two kids in mind, I scoured the shelves of local libraries and bookstores in the US for Tintin comics – to no avail. No one had heard of Tintin, including the helpful librarians. (With the advent of Amazon.com, the books are now readily accessible.) During a trip to India where Tintin is (was?) very popular, more than a dozen books in the series were gifted to my children by my sister. Like most parents, I have discovered that children don’t always enjoy books or movies which thrilled their parents in their youth. There have been several incidents where my kids have rolled their eyes in boredom and disbelief on being exposed to what I promised would be an enjoyable reading or viewing experience based on my own nostalgic recall. So it pleased me greatly when both my daughter and son and their friends enjoyed the Adventures of Tintin, attesting to the books’ timeless appeal.
The enchantment of Tintin comics lies not just in the plot lines which take the young readers all over the world – to Turkey, Tibet, Egypt, the Amazonian jungles, under the sea, China and assorted fictional Balkan kingdoms given to skulduggery; Hergé’s skillful drawings go a long way towards making the books extremely attractive to the young and the old. Tintin stories are simple enough – conspiracy, confusion and perilous sojourns in exotic locales involving a charming cast of characters .. and always a happy ending.
Hergé spun his adventure tales with political, cultural and scientific happenings of the twentieth century as backdrop. But references to real events are vague enough that a youngster with a sketchy knowledge of history will not be left in the dark by fine nuances (unlike the more sophisticated and wickedly humorous series Asterix by Goscinny and Uderzo, where the stories playfully mangle recorded ancient history). The Adventures of Tintin are well tailored for the 10-13 year age bracket. There is just enough cloak and dagger to thrill but very few really nasty surprises. The predictability of the plot and the simple humor are a comfort for young fans. After going through a couple or three volumes, the readers become familiar with the cast and gain the confidence of an insider. For example, they know that no matter in which remote corner of the world the adventure unfolds, it will involve one or more of the following twists and turns:
Professor Cuthbert Calculus, the brainy and absent minded owner and inventor of invaluable top secret scientific formulae and designs, will be abducted by or willingly accompany some shady villain or the other.
The loud and curmudgeonly Captain Haddock will get drunk, insult anyone who gets in his way and exasperatedly utter maritime exclamations such as "blistering barnacles" and "thundering typhoons" several times through the book.
The operatic Bianca Castafiore, possessing a vast bosom, a shattering voice and priceless jewels, will be a target of thieves. She will also unwittingly drive Captain Haddock nuts by mispronouncing his name.
The identical (neither twins nor brothers) detectives Thompson and Thomson who can be told apart only by the slight variation in their mustaches, will be secretive, bumbling and wholly ineffectual. They will also on rare occasions identify themselves with the unforgettable lines, "This is Thompson with a P, as in Philadelphia" and "This is Thomson without a P, as in Vancouver."
In the end, Tintin the earnest young man with the tuft of hair sticking up on his head, and his white terrier Snowy will sort things out.









